”Oliver Twist” by Charles Dickens and ”Brick Lane” by Monica Ali Essay

Having read twain Oliver Twist by Charles Dickens and Brick Lane by Monica Ali, I am going to concentrate the metropolis question on Brick Lane. Brick Lane tells the base of Nazneen, an eighteen year old moved to London from her rural breeding in Bangladesh to Tower Hamlets, a close tight community of Bengali families living in shut ups of flats struggling to determine their way up in the urban center to earn sufficient specie and a civilised bringing up for their children, yet still yearning to go back to their home land. Nazneen is conjoin to Chanu, twenty years older than her, he is educated yet earns his money working as a taxi driver. This novel has clear descriptions of urban center animation, the diversity of the spate within and how Nazneen interprets the urban center from her point of view.T present be many ways in which the textile aims of the urban center atomic number 18 exposit in this novel, the different celestial or positions of the urban center of London ar described from the block of flats w here(predicate) Nazneen lives to the big pip blocks in the metropolis centre.City look in this novel begins with Nazneen describing the Tattoo lady who lives in the block of flats opposite her, from here we be bang familiar with the lack of space and understand the very(prenominal) precise room they conduct in the urban aras of London Most of the flats that unsympathetic three statuss of a squargon had net curtains and the life behind them was solely(a) shapes and shadows. But the tattoo lady had no curtains at all. Morning and good afternoon she sat with her thighs spilling over the sides of her chair. By reading this, it is already machinateing an count on of the main settings of the novel which are the block of flats, very cramped and close, very little sense of privacy. We also abridge an idea of the type of tribe living around the area as well, the tattoo lady is a great deal mentioned in the novel, informing us t hat at least two thirds of the figure on show was covered in ink.Another visible condition of the city we come a crucify in this novel is when Nazneen actually considers visit the tattoo lady at the flat opposite hers, however such is city life that Nazneen reconsiders this The tattoo lady might be untamed at an unwanted interruption. Although this is not an actual object described in the city, from Nazneens thought we get an idea of the type of people she would come across whilst living in the city, it forms the surroundings of the biography by mentioning Nazneens neighbours. Monica Ali also describes the smell of the surroundings where Nazneen lives The breeze on Nazneens typeface was compendious with the smell from the overflowing communal bins. This material condition some definitely helps to form the surroundings of the novel shaping the condition of the area where Nazneen lives.Although Monica Ali has focused on forming the surroundings of the city where Nazneen lives with the smell and the neighbours, she has also organize the novel with the material conditions of inside the flat where Nazneen lives, in the novel Nazneen spends to the highest degree of her clock inside the flat to sit twenty-four hours after day inside this large box with the furniture to dust, and the muffled sound of reclusive lives sealed away above, below and around her. By giving legal brief descriptions handle this it shapes the scene of the narrative from the beginning of the novel, we are informed of the furniture inside the flat, Nazneen mentions that she has never seen more furniture inside one room, with all this, we are already shaping the narrative with the material conditions inside of Nazneens flat.Whilst living in the city, Nazneen mentions outdoor surroundings quite often, although she spends most of her time inside her flat or at Razias, whenever Nazneen has gone outside the boundaries of her area, we as the are outpouringn more description of the actu al city conditions on that point were more cars than people out here a roaring surface array bowelless up the town. By describing the cars as an army tearing up the town, we shag immediately shape the city life of the narrative with the pollution and the noise of the cars. We can cipher the dirt and the hustle of the city. The people who passed walked, looked ahead at nothing or looked down at the sidewalk to negotiate puddles, litter and excrement. This was the material conditions of the city life which helped form the narrative, which helped give the reader an idea of the city life and scenes to which we can imagine Nazneen and her economize walking across.The social life in this novel also helps to form the material conditions of city life and the novel, Nazneens social life passim the novel consisted of Mrs Islam and Razia gossiping nearly fellow women, she would often visit Razia at her flat, whilst going to Razias flat we are given descriptions of the surroundings wit hin Nazneens boundary of her estate, we are informed of the group of young Bengali men who stood in the bottom of the stairwell, combing their hair and smoking or making loud, sudden hoots this was the social life the young men had in the city, they would hang around in gangs not achieving much, Nazneen stayed within her boundaries as well, so it gives the reader an impression that social life within a city should be kept in the boundaries that you live in, like a resort barrier. We are also informed of the material conditions of the corridors and stairwells where Nazneen lives, the front doors are mentioned to be the similar across the corridors peeling red paint showing matchwood of pale wood, a rec smellular panel of glass with wire date suspended inside, gold rimmed keyholes and stern black knockers. On the palisade someone had drawn a pair of buttocks in thick black pen this helps the reader to form a picture in their minds of the state of city life where Nazneen lives, Th e stairs gave off a tang of urineAlthough Nazneen is told to stay within the boundaries of the estate because if she went out people would gurgle and gossip about her, Nazneen did go out. This was when she got lost, and we as the readers gained more knowledge of the material conditions of city life which formed the narrative, we are told that to get to the other side of the street without being hit by a car was like walking out in the monsoon and hoping to dodge the raindrops. Immediately we can imagine the fast movement of the city, cars going past like buzzing bees, to cross the road, Nazneen waited next to a woman and stepped out with her, like a calfskin with its mother short descriptions like this form the material conditions of the city life in this novel so skilfully. passim the novel, we are not moreover informed of the material conditions of the city where Nazneen lives or around the area of Bethnal Green, we are also informed of the streets expressions past Brick Lane. She looked up at a building as she passed. It was constructed almost entirely of glass, with a few thin rivets of stain holding it together. The building was without end, above somewhere it crushed the clouds. The material conditions mentioned here are most entirely opposite to the towers described of Tower Hamlets. Although both scenes construct very large buildings, the towers in the city centre are described as palaces, with entrances and colonnades across the front this was the diversity of the material conditions of city life which helped form the narrative, because the reader is informed that the city is not the homogeneous throughout, every area has its own distinctive features, some parts of the city are very well looked after whereas others such as where Nazneen lives are forgotten about.The material conditions of city life in the novel are mentioned to the reader in many ways, we are told of the people that Nazneen walks past when she goes to the city centre every back she saw, was on a private, urgent missionary work to execute a precise and demanding plan. They could not see her any longer than she could see God from this, we acknowledge the independency of the people in the city. concisely Nazneen sureises that she does not fit in with these working people, they are fit outed smart, they have coats and hand handbags whereas Nazneen has a cardigan and a sari, although Nazneen was dressed differently, merely one woman notice she was there and smiled at her. By giving details such as this, Monica Ali has formed and shaped the narrative according to city life, every soul with its own mission.So far, throughout the novel, only roads and streets, people and buildings have been mentioned. However when Nazneen does come across some greenery, she says in this city, a bit of denounce was something to be guarded, fenced about, as if there were a sprinkling of emeralds lay in among the blades. This, yet again is another material condition of city life, although it is not unpleasant like the conditions in Nazneens area, green grass has not yet been mentioned up until now, and when it has the grass is guarded with fence, so from this, we can imagine the very few takes in the city to relax and whoop it up the vista. We also get the indication that in this novel, for Nazneen there is no place for her to get away from everything, the city would not pause even to shrug.Throughout the novel, the descriptions of the city and the buildings given to us by Nazneen have been described vertical as Nazneen saw them, however, later on in the novel, when Nazneens male child becomes ill, whilst in the ambulance van, and with her fear for her son, she mentions The city shattered. Everything was in pieces. She knew it straight away, glimpsed it from the painful ashen insides of the ambulance. Just as Nazneens heart shattered in pieces, the city did too with her, so she is relating the material conditions of the city with her emotions and giving the reader an image of doom and gloom within the city. Although the material conditions described to us antecedently in the novel have been mostly doom and gloom anyway, Nazneen has only just implied the greyness and dullness of it along with her emotions. Frantic neon signs. Headlights chasing the dark.An office block, cracked with light. These shards of the broken city. Up until now the city was not mentioned as broken, it was just described as how Nazneen saw it, but now, we get the real image of the city, the material conditions which helped form the narrative The crystal towers and red bricked tombs. The bare-legged girls iciness at the bus impediment. Up until now, Nazneen had simply described the different dress code of non Asian females, now that she saw they were at the bus stop bare legged in the early hours of the morning, Nazneen is ridiculed by them, she talks about them along with the broken city. She is giving the reader material conditions of the city whic h make it so grim. The well fed dogs and bloated pigeons. This is something Nazneen would never see in her homeland Bangladesh, dogs are of no importance and pigeons always a pest. So now, we get to witness Nazneens interpretations of the material conditions of the city life, how she feels it is all wrong compared to her land. The cars that had screamed alongside the ambulance, urging it on, parting in waves. The cars that had previously been described as an army now screaming, this clearly shows the rage within Nazneen and the material city conditions which she so hates.Throughout the novel, London is not the only city mentioned, with Nazneens child living in the city in Bangladesh, Dhaka, she often receives letters from Hasina talking about her home, and the surroundings Street is wide and nice. But plastic bag blowing everywhere. Walk in street for five ten minute and by finish you cover in bag on legs and arm and stomach. From this we realise, that city conditions throughout the world are the same. The little things which give the city its status, the material conditions such as bags on the floor is what makes living in a city so different to other places. A wind blew in over the courtyard and fetched up a crisp packet at her feet. Nazneen although she was in a different country to her sister, they were both in the same situation, both living in a city with material conditions such as rubbish on the pavements and non stopping people.To conclude, the material conditions of city life in Brick Lane are mentioned with such metaphors and descriptions which inform the narrative of the surroundings, the people, the scenery and the atmosphere within. The buildings described in so many ways, the smallest details engraft on the floors to the stairwells of the block of flats.